In the Center of Your Absence

This film is the result of the director’s first experience with 16 mm film. As in the case of 8-mm, the last and most important goal of this work is not a story, not a story, not an illusion of presence or a desire to convey, comprehend reality, but the creation of a sequence of artistic images on the screen that suits the author, the creation of an artificial flow, rhythm, music of images. He considers his “cinematic” activity as a natural continuation of the musical, its integral part. This is his personal large-scale research driven by a thirst for enjoyment of rhythmic changes of various shapes and colors.